Friday, July 11, 2008

Lucy, I'm Home. . . and Drunk!


From the outside, Lucy's 51 looked like a "noir bar" because it reminds me of the kind of bars you see in Los Angeles film noir. It has the seedy red lighting, swanky velvet furniture, and frogs on the ceiling(?). No, really--there are plastic frogs glued to the ceiling.

For a classy place, Lucy's 51, located on Riverside and Forman in Toluca Lake, was not very happening last night. We had a good group (ok, it was a sausage fest with 6 guys and two girls--don't act like it's never happened to you) that was pretty sauced up from drinks at Mo's down the street, but it seemed like we were the only people there. People would walk in for five seconds and then peace. Thursday night is usually party night in my circle of friends, so it was different (read: nice) to just relax, chat, and drink.

I've always heard great things about this place. The first time I went was with my cousin Tony, and boy was this place hopping. The stereos blasted classic rock (the best bar music ever! Well, jazz gives it a run for its money, depending on location), we were already drunk, and the Toluca Lake girls were gorgeous. We had gone to the Whiskey Bend in Burbank, which is fucking shit, so anything was better than the Bend when compared. Here's the thing, though: this first time was also on a Thursday night. I guess Lucy's 51 is a sporadic bar--sometimes it rocks, sometimes it doesn't.

Martini's are the drinks of choice at Lucy's 51. The list is huge and diverse. They mix anything from blueberries to mojito mix to peach schnapps to, I wouldn't be surprised if they had Benzoil. The dirty martini is my favorite drink, so I like to order it at every bar I go to just to see how it compares to others. I figure, you make a good dirty martini, I'm gonna have a good time. Don't get me wrong, I had a great time last night, but that drink was shit. It didn't taste like vodka or olives. Actually, it kinda tasted like rubber to be honest. I still drank it, but my liver felt elastic on the drive home. I hear the food is pretty good, but we didn't get around to it.

Credit card holders beware: there is a $10 minimum on credit cards, so if you order one drink, well, you might as well order two. Coincidentally (read: sarcasm), the martinis are priced at exactly $9. My last drinks were two Newcastles, not that I'm complaining or anything.

No one really noticed when we left, but it was still a good atmosphere to be a part of. I say, if you're in the neighborhood and have some time to kill, go in and have a drink. But it's not something worth making a trip for.

Thursday, July 10, 2008

No Blues at The Blue Room














The name is not a misnomer. The Blue Room, a small dive bar in Burbank, really is blue. Located on San Fernando and Alameda, right across from Hollywood Video, and adorned by a steel entrance, this hole-in-the-wall of a gem is the perfect place for happy hour, drinks after work, or alcoholics looking for a place to drink their sorrows away (I mean that in a good way). It's the type of dive bar where people become regulars there, also known as "that guy."

Gladly and I wanted to check out a new bar on Tuesday night, and we had narrowed it down to three choices: The Dresden on Vermont, Tiki Ti in Silver Lake, or The Blue Room in Burbank. The first two were somewhat far away from my home but still very attractive. We then read Zagat Survey's L.A. Nightlife 08/09's description of The Blue Room: "cheap drinks, great atmosphere, and the waitresses have been there since the place opened." Sounds like heaven to me.

After parking in the limited lot behind the bar, we were greeted by a looming blue neon glow. It felt a little like we were walking into Bruin territory. You get what you expect from the name of this place--the bar is literally one room where the walls and furniture are blue. On your left proudly stands a dart board. Across from it sits a very eclectic electric jukebox that could cater to any one's needs. The booze is right next to the jukebox. Hip hop music filled the atmosphere, which I was kinda bummed about it because I wanted trashy dive bar classic rock, but beggars can't be choosers. And that's pretty much the place.

I told Gladly, "You know, I have yet to see a prehistoric waitress here." Immediately after saying that, a woman around her 50s with saggy skin and cigarette-colored fingernails asked for our order. I looked at Gladly and said, "Oh, well there you go." I then looked around for the "regulars." He wasn't too hard to find: he was an old, somewhat fat Italian man with a chest as hairy as a gorilla. He wore a gold chain that hid in the forest of his chest while drinking straight whiskey. Gladly described him as Evil Knievel on acid. I felt like he was one of those guys that would go up to someone and say, "Your sitting in my seat" and then proceed to show the person where his name was written on it.

We ordered two beers (one Newcastle, one Sam Adams) and observed the other bar patrons. It was a pretty good crowd for a Tuesday night. There was a large party sitting at the blue lounge tables, and a pair of really cute girls sitting right next to us (ok, one was super hot, and one was kinda not so hot, so combined they averaged out to really cute). Working up enough liquid courage after two rounds of boilermakers (a shot of whiskey with a beer chaser), we started thinking of a game plan for these two girls. However, we were soon distracted by a really cute girl in a red dress. Not to say that she actually talked to us (not yet anyway), but I saw her from across the bar and was starstruck. She looked exactly like Mel from Flight of the Conchords, one of my favorite shows at the moment. I kept wondering if it was her. Then, I heard her speak--it was totally Mel. On Flight of the Conchords, Mel is the only fan of the New Zealand folk duo in New York. She obsessively stalks them and tries to seduce them in very creepy ways. Her most intriguing feature--she has a distinct high pitched nasal voice. When I heard her talk, I knew it was her. After this confirmation, I realized that her wingwoman was none other than Kelly the Indian girl from The Office!

We needed a whole new game plan. Gladly and I went outside for a cigarette to ruminate about philosophical quanderies such as what's the best pick up line, how do you hit on a celebrity, and the father/son bond (don't ask me how that got thrown in there--we were getting pretty drunk by then). Then, God threw us an easy pass: a girl came up to us and asked if I could take her photo. Who was she taking the photo with? None other than Mel herself!

Kage: Holy shit, are you Mel from Flight of the Conchords?!
Mel: Haha, yeah.
Kage: Holy fucking shit, man! I love your show!
Mel: Thanks. Haha you two should be friends (pointing to the other girl)
Kage: Smile!

I had to take three photos, which got kind of awkward, because that damn neon blue light kept fucking up the sharpness of the photo. Fucking Bruins.

Then, the random girl was kind enough to take a photo of me and Mel and emailed it to me later. Although not the greatest photo, hey, at least we got one.A couple beers later, Gladly and I decide to go buy some cheap Black 'n Milds, just to have something to smoke (we are both trying to quit cigarettes at the moment, and yeah, we had one earlier, but give us a break, quitting is fucking hard). We were a little sad to leave this charming shithole-in-the-wall. I mean, where else can you get two beers for 8 bucks? Two boilermakers for 13 bucks? That's fucking cheap, man.

Overall, I think The Blue Room has a unique dive bar charm. The bartenders are friendly and energetic and willing to take shots with you. The waitresses probably have tons of stories to tell. The atmosphere was chill but still lively. And we got to meet Mel from Flight of the Conchords. I'd say that there be no blues at The Blue Room.

Tuesday, July 8, 2008

On The Up and Coming: Wale


D.C. based rapper Wale describes his music in this way: "Think of what a def persons interpretation of very good music would sound like ...multiplied by your favorite songs impact when you knew you loved it multiplied by what would happen if music never existed until you heard it add a million to that and youd be 1/100000 of the way to understanding my sound."

Sounds cocky, huh?

Not necessarily so. I wouldn't necessarily label Wale as that interpretation, but I will say that the hype and buzz around this guy are very true. In 2005, Wale surfaced onto the D.C. rap scene with the single "Rhyme of the Century." This single put him on Source Magazine's June '05 "Unsigned Hype" list. From there, the buzz really began. He's been compared to Kanye West, Pharrell, Lupe Fiasco, and Common--not a bad crew to be a part of.

Wale credits much of his influences come from go-go bands. What's a go-go band, you ask? I myself had to Wikipedia this information. Go-go is a subgenre of funk that originated in 1970s Washington, D.C. "In technical terms, 'Go-go's essential beat is characterized by a syncopated, dotted rhythm that consists of a series of quarter and eighth notes (quarter, eighth, quarter, (space/held briefly), quarter, eighth, quarter)… which is underscored most dramatically by the bass drum and snare drum, and the hi-hat… [and] is ornamented by the other percussion instruments, especially by the conga drums, timbale, and hand-held cowbells.' A swing rhythm is often implied (if not explicitly stated)" (Wikipedia: Go-go). The call-and-response between audience and MC is also key to go-go.

After "Rhyme of the Century," Wale came out with many go-go inspired singles that started putting him on the map. He certainly blew up when Entourage showcased his song "Ice Cream Girl" on the June 24, 2007 episode (the one where E and Vince finally watch a cut of Medellin--by the way, the show is back September 7th!)

And then Wale got daring--he made a rap mix to Justice's "D.A.N.C.E." entitled "W.A.L.E.D.A.N.C.E." for his next FREE mixtape "100 Miles and Running." This album has been downloaded 30,000 times off his Myspace since its release. This is initially how I first heard of Wale--his song was a "Must Download" in June's Spin magazine. That is what truly impresses me about this rapper. He is not afraid of collaborations with artists and concepts that would seem outrageous or downright crazy. He recognizes the sick beats that Justice produces. Kanye West did the same thing by sampling Daft Punk's "Harder, Better, Faster, Stronger" for his own "Stronger." With the easy access to music and the postmodern thought in today's digital world, collaborations, remixes, and covers are turning up more and more to create a musically shared and enlightened experience. One can influence the other and vice versa to create a union of uniqueness.

On May 30, 2008, Wale released his fourth FREE mixtape "Mixtape About Nothing," which is heavily influenced by the most unlikely of things--hit tv show Seinfeld (It can be downloaded at elitaste.com and 10deep.com--I highly recommend this album). Showcasing Wale's clever rhymes and indelible free flow, seriously this guy can rhyme for hours without stopping, "Mixtape About Nothing" samples many clips from Seinfeld episodes and things relating to it. Each song is titled the way episodes where--the article "The" precludes every title." He even inserts catchphrases and lines from the episodes into the songs while discussing serio-topics like modern identity politics and the state of rap today: "What's the deal with this rap stuff? / Since Napster / The sales been crashing."

On the track "The Kramer," Wale samples Michael Richards' racist slurs from the Laugh Factory and then launches into a rhythmic discussion on the use of the word "Nigga." He also samples Jay-Z's "Roc Boys" on "The Freestyle" in homage to one of his biggest influences. Wale delves into all sorts of genres from soul to go-go to R&B to this new wave of "futuristic rap" or sometimes known as "rave-rap," which is also discussed on "The Skit (Untz Untz). He even comments on the mainstreaming and selling out of certain hip hop acts. He parodies "Crank That Soulja Boy" in "The Skit" with his own "Crank That Squirrelly Boy."

He somewhat parodies Lil' Wayne too. He has a song called "The Cliche Lil' Wayne Feature," which features, well, Lil' Wayne. I'm not sure if this is a diss, a tribute, or both. Many pundits claim that Lil' Wayne was able to sell 1 million copies in one week for his latest album Tha Carter III because of all the free mixtapes and collaborations he has done for the past three years. In the same vein, Wale has now released four free mixtapes and is collaborating with the likes of The Roots, Kanye West, Mark Ronson, 9th Wonder, and Justice. Will he too sell 1 million copies in one week when his debut album with the above-mentioned artists is released next year?

Probably not because people still do not who this guy is.

But trust me, you will soon enough.

Monday, July 7, 2008

Some Cool People That I Know











Locations: Burbank
Santa Barbara
The Hollywood Cemetery Screening of Easy Rider, sponsored by Cinespia


Saturday, July 5, 2008

For All You Jim James Lovers

Sweet article on the lead singer of My Morning Jacket. Pay special attention to his mention of altered states.

The Man and The Myth

Tuesday, July 1, 2008

Perception Theory

I just bought my ticket for The Dark Knight opening on July 18th. Anticipation and expectation are high for this film for several obvious reasons. I've been looking forward to this movie since the last scene of Batman Begins foreshadowed the return of the Joker. However, with the late tragic death of Heath Ledger, the film has taken on a whole new meaning, as not only the movie as a whole will be measured, but also his last performance. Seeing him on the screen will and could only be described as ghostly. Check out this exclusive on the film from Entertainment Weekly.

Perception Theory

Get ready because I'm about to get abstract on your asses.

Monday night, I decided to call it an early night and went to bed around 1:15 a.m. My head hit the pillow, and the next thing I knew, I was outside in my backyard, where some sort of army training camp was occurring. Men dressed in black tank tops and camouflage pants were practicing hand-to-hand combat with real guns and real knives. These two soldiers were in the midst of a fight when all the sudden, the one guy flipped the other guy over onto his back and shot him in the collarbone. The drill sergeant simply responded, "Accidents happen. Get him off the field." Then, they called me over, for it was my turn to duke it out. I can't remember who I was fighting, but I know it was someone I knew. My roommate said to me, "He likes to tackle from the knees, so pre-emptive strike him." Just as had been foretold, my opponent did just that. I kicked him in the head and fake-checked him with the weapons. As I celebrated my faux-victory, the drill sergeant came over and told me I had done a fine job.

The next thing I know, I'm in my bed, in my room. Everything is the same. Nothing has changed. It's pitch-black. Then, I see a figure in a white t-shirt emerge from the hallway. It walks slowly. Or is it floating? I can't make out who it is, so I take a guess. "Jason?" It mutters, and I can't discern if it's a yes or no. The figure disappears, and my bed starts shaking uncontrollably. I feel it shaking and moving, like someone is bouncing on it. I jump out of bed and run to turn off the lights. The lights on my fan brighten, and my room is empty.

The clock shines 1:30 a.m.

The scariest part is that in this dream/nightmare context, I don't know at which point I was awake, which point I fell asleep, and which point I woke up again.

Have you ever had this kind of dream? The dream-within-a-dream? The dream that feels like reality? There are people out there that say they have, and I believe them. They'll be able to relate to my experience, but they'll never fully understand it because my perception shaped my dream. My own subjective reality shaped it.

I began wondering how this dream came about, and I feel like it was heavily influenced by this long conversation about the nature of perception, time, reality, and dreams that my friend Gladly (pseudonym) and I had engaged in only hours before I passed out.

It's funny that, although only days later, I have a harder time remembering what exactly we talked about. I know the gist of it, but a word-by-word replay would mean my own "filling in the blanks." Which leads me to two very interesting points that Gladly made:

1. Gladly states, "In my lifetime, I'll forget more things than I experience."
2. Gladly states, "All my memory files are corrupted."

Allow me to clarify:

We began by discussing a disagreement that had recently occurred in his life with someone else. Although the other person and him are the best of friends, lifemates if you will, there are some things they will never see eye to eye. Although they grew up relatively together (same town, same group of friends), their collegiate experiences have started taking them down different paths; therefore, their outlook, their perception of life is changing. As it turns out, different perceptions of the same thing start arising. To give you an example, I pointed out a helicopter to Gladly and told him, "Dude, look at this chopper. We are looking at the same chopper but because of our different experiences in life, the multi stimulants that have come across our paths and influenced us, we are going to have vastly different thoughts about it. We will never truly see the same chopper. The best we can do is compare and relate to each other, but we won't be on the same level."

Rereading that last line I typed struck me as a very lonely thought. Is the whole basis of reality an isolated experience? There are no two same, exact people on this earth. Every single person is a unique individual in their own right. That's why in all those time travel films (see: Back to the Future, Southland Tales), there's the whole time paradox that if your future self runs into your past self, a universal catastrophe will take place: no two exact souls can thrive in the same time and space.

Now, be it true, that my examples come from film, so they are not real examples. But, can't cinema be the only true time travel method we have in today's society? Time travel hasn't been proven. We haven't built a time-traveling DeLorean or created time portals or even confirmed the existence of wormholes, yet all these methods live on in celluloid form.

Not only that, but the cinematic form even manifests time travel itself. Think about it. When one watches a film, they are experiencing three different times at once: the time you watch the film, the time the film takes place, and the time in which the film was made. If you want to probe further, you can consider that film is the congregation of multiple times--the director's time, the writer's time, the producer's time, the actor's time, the PA's time, the set designer's time, etc. All these people are experiencing their own time, and the video camera is recording every moment of it. Harkening back to my chopper example, when you watch a film, you'll be interpreting it differently from someone else. One person can think that Vince Vaughn is the funniest man on the planet, another can think he's as boring as a history teacher older than the subject he's teaching. The way you spend your time is perception. The way you think about your time is through your perception.

If perception is time, and time is subjective, then perception is subjective.

Is there an objective truth? Is there any objectivity at all?

Objectivity hopefully comes about in retrospect. When you think about it "after the fact," when you are able to remove yourself from the situation and discern it from an outside perspective, the objective truth comes out. Relating to time, when the present becomes the past, objective truth becomes clearer. The present changes every single second. The minute you lose focus of the present situation, it becomes the past. When an event becomes a memory, it becomes the past, because it is no longer currently occurring. The trouble with this engagement is that with the ever-increasing bombardment of stimuli in today's modern world, it gets harder to differentiate and filter the past from the present. Slowly, selective memory works its magic, and you really only remember the things you want to remember or had more impact. Hence, Gladly's statements of forgetting more than experiencing and the corruption of memory.

Where am I going with this whole rant? Well, I guess, it comes down to acceptance of perception. Whatever someone does, whatever someone says, is all because of their perception. Their environment, their parents (the basic learning foundation), their experiences have all shaped and influence the person they have become. No two people experience the same life. Even twins, who are of the same genetics, who look alike, have the same parents, same family environment, will still have different thoughts, different perceptions. Their consciousnesses will be self-aware of only what they can see, hear, taste, touch, smell. Perception goes hand-in-hand with personality and character traits. It goes hand-in-hand with thought and emotion. If someone wrongs you, while it is still wrong and hurtful, one should understand that it was their perception to perform this action. This person may not even consider their actions wrong. It is still individual to them.

Ladies and gentlemen, I'm talking about the soul.

At least, that's my perception.

Suggested Readings:
The Psychedelic Experience by Timothy Leary
The End of Mr. Y by Scarlett Thomas
The Phenomenology of Perception by Merlou-Ponty
The Four Agreements by Don Miguel Ruiz

POSTSCRIPT: My buddy Jake messaged me an interesting thought after reading this entry, and I totally dig it. Although we are all individualistic, "The one perception I feel we should all agree on: 'And we are all as equally important as those who came before us, those who are next to us, and those that will come after us.'"

True that, dude.

Wild Weekend with Wasted, Wanted, Weirdos, and Wall-E

First, check out this short article and this one too on the Zimbabwe presidential election. This shit really pisses me off and makes me sad. Here, recently elected (that's a load of crap) President Mugabe says that the West can "go hang a thousand times" for condemning the country's disputed recent elections. Living in a free America, with the independence-celebrating holiday 4th of July quickly approaching, it still baffles me that there are countries living under totalitarian and oppressing regimes. There's another L.A. Times article that talks about countries such as China and Russia stating that they will not intervene in these issues because it is "Africa's problem." The U.S., Britain, and Australia, meanwhile, are ready to impose U.N. sanctions on the political leaders of Zimbabwe in order to have a more free and fair election. Don't take your freedom for granted, kids.

Now, instead of focusing on one topic extensively, let's try for many topics summarized:














1. Wasted (The Edison Bar)--Friday Night
This bar was built for me. I tried to go to this place a couple weeks back but they wouldn't let my friends and me in because we were not wearing the "proper attire" (we had t-shirts and sneakers, they require dress shoes and collared shirts), but just from the outside of it, I knew I had to venture back. Upon entrance with the right clothes, I discovered that The Edison actually goes downstairs to an underground level. I was stunned at how big it was. Jazz music was blasting and silent films were projected onto the walls. With its blend of 1920s artifacts and futuristic layout, I was intrigued by the merge of different times in one place. There are two bars and lots of seating available. The drink menu was unique as they present their own type of (really fucking expensive) drinks (thank God we pregamed). I ordered The Hemingway (absynthe and champagne) because I always wanted to try absynthe. It tasted like black licorice which I am definitely not a fan of. But having paid 14 bucks for it, I swallowed my pride and the rest of the drink. I later ordered a dirty martini, which was phenomenal. If a bar can get this classy drink right, it goes high in my book. So far, this is the best bar I have been to in Los Angeles. For more info, click here.

2. Wanted--Saturday Afternoon
I had originally wanted to see Wall-E, but it was sold out. I had wanted to see this Angelina Jolie-James McAvoy flick, anyway, so I figured why not. My initial reaction after walking out of the theater was "This was either the coolest movie I've seen in a while or the stupidest one I've seen most recently this summer (this list of summer stupid flicks include Zohan, The Happening, and The Love Guru). Upon one more day of reflection, I've concluded that it was pretty ridiculous. It was like The Matrix meets Office Space meets "assassin" movie. Some of the action scenes were pretty cool (the train sequence was nuts and the first car chase was kinda badass, I guess), but there were moments that made the movie just awful. Directed by Timur Bekmambetov (of Russia's very popular Night Watch), the film tries to follow the graphic novel's depiction of stylized violence and fighting. Just like South Park, this movie had a lot of bullet shots to the head. Jolie was hot in the role, but I felt that anyone sexy could have played this part. I'll admit, for his first mainstream role, I found McAvoy very appealing. He played the loser-nobody to a humorous pitch and then actually convinced me that he could also be a no-nonsense assassin. One of his last scenes where he fights multiple assassins in a row was probably the best scene of the whole film--until his last line in the movie, where he breaks the 4th barrier and talks to the audience directly, ruined the whole thing for me.

Notable quote: "Shoot this motherfucker!"--Morgan Freeman in Wanted

3. Weirdos (Electric Daisy Carnival)--Saturday Night
Going to the Electric Daisy Carnival now ranks as #5 on the Top Five Best Nights of My Life. I don't even know where to begin. About 8 of my friend and I decided to attend this once a summer massive rave at the Coliseum with Benny Bennassi, Moby, and Paul Van Dyk headlining. I usually go to the Coliseum for USC Football games, so it was definitely a mindfuck when we got there and were welcomed by thousands and thousands of people dressed up in raver outfits and dancing like it was their last night on Earth. The whole thing felt like a giant end-of-the-world party, complete with carnival rides and alcohol! Everyone was so free-spirited and unjudgmental. I donno, it just felt like everyone was on the same page, there to have a good time with great music and great people. There was a moment where we were at the top of the Coliseum and looked down at the pit during Paul Van Dyk. Everything was dark as it was 3 am, but the glow sticks created the most amazing effect I think I've ever seen. It reminded me of those glowing fish at the bottom of the ocean. People were just friendly and the genuine kindness I encountered was surprising. I'd like to give a quick shout out to Lace, who showed me how to truly enjoy the night. The only way I can describe this night is with some photos. Take a look.

4. Wall-E (Sunday Night)
I'm just going to come out and say it: This movie is fucking amazing! I was wondering whether or not this whole "robots with no dialogue" thing was going to work, and let me tell you, it did. It really did. We learned in my production class that dialogue is secondary to visuals. If you can tell a story visually, without words to rely on, then the dialogue will only complement and enhance the story, instead of carrying it. This movie did just that. Wall-E had a pitch-perfect sound design. Wall-E used humanistic characteristics and facial (robotic?) expressions that accurately and simply conveyed the characters' emotions to the audience without getting lost in translation. Like every Pixar movie, the film begins on a pessimistic level, then resolving towards a happy and redemptive ending. Channeling Charlie Chaplin, Wall-E makes us laugh with his lovelorn journey to be with female robot E.V.E. Along the way, he shows off courage and strength to save a group of humans he's never even met. If you're not moved to at least near-tears by the end, you need to thaw out that frozen heart of yours. This movie was nothing short of brilliant--just look at its opening weekend (62.5 million!).

Overall, this weekend was amazing for me and the box office. Other notable things this weekend: I finished watching The Sopranos (all of it, finally, after 4 months) and watched Reality Bites, a surprisingly good movie directed by, surprisingly, Ben Stiller. Sopranos and The Wackness reviews coming soon.

Stay classy.